Breaking News and Business Updates from Luxembourg
The future of urban mobility in Luxembourg: electric bicycles, electric cars and charging infrastructure
Ten Luxembourgish films to watch to get to know the country better
Luxembourg's music scene: from monastic chorales to electronic beats
The future of urban mobility in Luxembourg: electric bicycles, electric cars and charging infrastructure
Ten Luxembourgish films to watch to get to know the country better
Luxembourg's music scene: from monastic chorales to electronic beats
Guns N' Roses and the Sex Pistols | Outdoor Concert | Luxembourg
LANDMVRKS in Luxembourg
Fear Factory
Schueberfouer 2025
Sports
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What should you do if you witness a crime?
Exclusively for Luxtoday, the Luxembourg police answered the most pressing questions concerning public safety and law and order. We learnt what to do if you find yourself at the scene of a crime, what to do to protect yourself, and when to call the emergency number and when it is better to walk to the nearest police station.
Hobbies
"Love should not be tyrannical, but unconditional."
On 5 June, Luxembourg will host a mono-performance of "Bury Me Behind the Skirting Board", based on Pavel Sanayev's novel. The production is not only emotionally powerful, but also unique in its structure: there is one actor on stage, who is also the director of the performance. We talked to the author of the production Roman Boklanov about the origins of the play, personal experience, perception of Russian drama abroad and love as a universal message. And you can buy tickets at the following link: https://fienta.com/ru/pohoronite-menya-za-plintusom
Hobbies
"I don't see how criticism of 'great male culture' is an attack": Interview with French director Étienne Gaudillère
Can we admire a work of art without approving of its creator? This is the question posed by director Étienne Gaudillère in his latest work. Inspired by the controversy surrounding the 2020 César awarded to Roman Polanski, the play questions our collective responsibility in the face of violence in the cultural world and the persistent cult of the "untouchable artist" in artistic circles. Gaudillère takes up this challenge not by singling out an individual, but by dissecting a system that has for too long protected its tormentors in the name of "genius". With humour, rigour and profound humanity, he takes on the arguments, explores the paradoxes and calls on controversial figures to stimulate an essential debate.
